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	<title>Bite! magazine &#187; Documentary Reportage</title>
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		<title>Dina Litovsky</title>
		<link>http://www.bitemagazine.net/2011/07/27/dina-litovsky/</link>
		<comments>http://www.bitemagazine.net/2011/07/27/dina-litovsky/#comments</comments>
		<pubDate>Wed, 27 Jul 2011 11:19:39 +0000</pubDate>
		<dc:creator>Diederik Meijer</dc:creator>
				<category><![CDATA[Documentary Reportage]]></category>

		<guid isPermaLink="false">http://www.bitemagazine.net/?p=12341</guid>
		<description><![CDATA[Dina Litovsky is one of the artists of whom juror Whitney Johnson, Director of Photography at The New Yorker, selected work to comprise the sixteenth iteration of the PRC’s highly regarded annual juried exhibition. Johnson made her selection from an original pool of 170 submissions.]]></description>
			<content:encoded><![CDATA[Dina Litovsky is one of the artists of whom juror Whitney Johnson, Director of Photography at The New Yorker, selected work to comprise the sixteenth iteration of the PRC’s highly regarded annual juried exhibition. Johnson made her selection from an original pool of 170 submissions.]]></content:encoded>
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		<title>Carlos Garcia Martinez</title>
		<link>http://www.bitemagazine.net/2011/07/25/carlos-garcia-martinez-2/</link>
		<comments>http://www.bitemagazine.net/2011/07/25/carlos-garcia-martinez-2/#comments</comments>
		<pubDate>Mon, 25 Jul 2011 18:01:45 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Documentary Reportage]]></category>

		<guid isPermaLink="false">http://www.bitemagazine.net/?p=12320</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[]]></content:encoded>
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		<title>To Eternity and Beyond</title>
		<link>http://www.bitemagazine.net/2011/05/03/to-eternity-and-beyond/</link>
		<comments>http://www.bitemagazine.net/2011/05/03/to-eternity-and-beyond/#comments</comments>
		<pubDate>Tue, 03 May 2011 19:26:39 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Documentary Reportage]]></category>

		<guid isPermaLink="false">http://www.bitemagazine.net/?p=12292</guid>
		<description><![CDATA[I have uploaded the third issue of 50pm, billed "The Space Issue" late last night. 50pm is the first portfolio based magazine on the iPad. The thingy should have been approved already, I uploaded an initial version about ten days ago. But for some reason the Facebook sharing button was acting funny and I decided to pull it from the Apple review queue to get that sorted. So here is a preview of what will be available some time next week, if all goes well. Fifty spectacular photos looking into deep space or gazing back down on our planet from somewhere up there. Some of you may feel it may not be very artistic. To those peeps I say: there is art in science and those fifty pics are proving it.]]></description>
			<content:encoded><![CDATA[I have uploaded the third issue of 50pm, billed "The Space Issue" late last night. 50pm is the first portfolio based magazine on the iPad. The thingy should have been approved already, I uploaded an initial version about ten days ago. But for some reason the Facebook sharing button was acting funny and I decided to pull it from the Apple review queue to get that sorted. So here is a preview of what will be available some time next week, if all goes well. Fifty spectacular photos looking into deep space or gazing back down on our planet from somewhere up there. Some of you may feel it may not be very artistic. To those peeps I say: there is art in science and those fifty pics are proving it.]]></content:encoded>
			<wfw:commentRss>http://www.bitemagazine.net/2011/05/03/to-eternity-and-beyond/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
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		<title>Philip Cheung</title>
		<link>http://www.bitemagazine.net/2011/04/30/txt/</link>
		<comments>http://www.bitemagazine.net/2011/04/30/txt/#comments</comments>
		<pubDate>Sat, 30 Apr 2011 14:36:58 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Documentary Reportage]]></category>

		<guid isPermaLink="false">http://www.bitemagazine.net/?p=12284</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[]]></content:encoded>
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		<title>These Stories Are Indicative Of Many American Dreams And Disappointments</title>
		<link>http://www.bitemagazine.net/2011/04/19/these-stories-are-indicative-of-many-american-dreams-and-disappointments/</link>
		<comments>http://www.bitemagazine.net/2011/04/19/these-stories-are-indicative-of-many-american-dreams-and-disappointments/#comments</comments>
		<pubDate>Tue, 19 Apr 2011 15:45:11 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Documentary Reportage]]></category>
		<category><![CDATA[Cityscapes]]></category>
		<category><![CDATA[documentary photography]]></category>
		<category><![CDATA[USA]]></category>

		<guid isPermaLink="false">http://www.bitemagazine.net/?p=12271</guid>
		<description><![CDATA[Photographer Josef Jacques about Merced California: "A city of many booms and busts. Originally a rail town, connecting the gold mines of the Sierras to the Santa Fe and Pacific railroads. It was an agricultural town that is in one of the most fertile valleys in the world. It was a roadside town on Highway 99 and was known as the “Gateway to Yosemite”. It was speculative home town, where homes were built in hopes of wealth. The stories of Merced are indicative of many Californian and American folklore, dreams, and disappointments."]]></description>
			<content:encoded><![CDATA[Photographer Josef Jacques about Merced California: "A city of many booms and busts. Originally a rail town, connecting the gold mines of the Sierras to the Santa Fe and Pacific railroads. It was an agricultural town that is in one of the most fertile valleys in the world. It was a roadside town on Highway 99 and was known as the “Gateway to Yosemite”. It was speculative home town, where homes were built in hopes of wealth. The stories of Merced are indicative of many Californian and American folklore, dreams, and disappointments."]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>To Transcent The Time I Live In</title>
		<link>http://www.bitemagazine.net/2011/04/06/to-transcent-the-time-i-live-in/</link>
		<comments>http://www.bitemagazine.net/2011/04/06/to-transcent-the-time-i-live-in/#comments</comments>
		<pubDate>Wed, 06 Apr 2011 15:43:19 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Documentary Reportage]]></category>

		<guid isPermaLink="false">http://www.bitemagazine.net/?p=12238</guid>
		<description><![CDATA[Belgian photographer Debby Huysmans: "The work Sibir shows forgotten and isolated communities in Siberia. The two longest rivers of Siberia, the Yenisey and Lena, guided me through the desolated area in search of individuals who experience this area as their biotope and the marks they leave in the landscape that surrounding them. Remainders of dreams of the past and signs of hope for the future appear through the daily environment. I am not interest in exotic landscapes or in the adventures of traveling far, instead, I am searching for ways to transcent the time I live in."]]></description>
			<content:encoded><![CDATA[Belgian photographer Debby Huysmans: "The work Sibir shows forgotten and isolated communities in Siberia. The two longest rivers of Siberia, the Yenisey and Lena, guided me through the desolated area in search of individuals who experience this area as their biotope and the marks they leave in the landscape that surrounding them. Remainders of dreams of the past and signs of hope for the future appear through the daily environment. I am not interest in exotic landscapes or in the adventures of traveling far, instead, I am searching for ways to transcent the time I live in."]]></content:encoded>
			<wfw:commentRss>http://www.bitemagazine.net/2011/04/06/to-transcent-the-time-i-live-in/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Only Casual Encounters And Some Great, Really Great, Portraiture</title>
		<link>http://www.bitemagazine.net/2011/03/28/only-casual-encounters-and-some-great-really-great-portraiture/</link>
		<comments>http://www.bitemagazine.net/2011/03/28/only-casual-encounters-and-some-great-really-great-portraiture/#comments</comments>
		<pubDate>Mon, 28 Mar 2011 21:17:38 +0000</pubDate>
		<dc:creator>Diederik Meijer</dc:creator>
				<category><![CDATA[Documentary Reportage]]></category>
		<category><![CDATA[Central Europe]]></category>
		<category><![CDATA[Portraiture]]></category>
		<category><![CDATA[Ukraine]]></category>

		<guid isPermaLink="false">http://www.bitemagazine.net/?p=12222</guid>
		<description><![CDATA[One great portrait! This one was shot in Lviv, by my good friend Inge Schoutsen. Inge took her camera and a train to Ukraine, where she knows a whole bunch of great talented photographers. Along the way she photographs the people she meets. There is no narrative, or pre-defined storyline, only casual encounters and some great, really great, portraiture. I am going to invite Inge to tell us a little bit about the young woman in this shot, we'll be back with that soon!]]></description>
			<content:encoded><![CDATA[One great portrait! This one was shot in Lviv, by my good friend Inge Schoutsen. Inge took her camera and a train to Ukraine, where she knows a whole bunch of great talented photographers. Along the way she photographs the people she meets. There is no narrative, or pre-defined storyline, only casual encounters and some great, really great, portraiture. I am going to invite Inge to tell us a little bit about the young woman in this shot, we'll be back with that soon!]]></content:encoded>
			<wfw:commentRss>http://www.bitemagazine.net/2011/03/28/only-casual-encounters-and-some-great-really-great-portraiture/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Traveling Monks, Colonial Explorers, Anthropologists, Photographers, Tourists, and Moses</title>
		<link>http://www.bitemagazine.net/2011/03/22/traveling-monks-colonial-explorers-anthropologists-photographers-tourists-and-moses/</link>
		<comments>http://www.bitemagazine.net/2011/03/22/traveling-monks-colonial-explorers-anthropologists-photographers-tourists-and-moses/#comments</comments>
		<pubDate>Tue, 22 Mar 2011 19:15:27 +0000</pubDate>
		<dc:creator>Diederik Meijer</dc:creator>
				<category><![CDATA[Documentary Reportage]]></category>
		<category><![CDATA[Africa]]></category>
		<category><![CDATA[daily life]]></category>
		<category><![CDATA[desert]]></category>
		<category><![CDATA[documentary photography]]></category>
		<category><![CDATA[Egypt]]></category>
		<category><![CDATA[Moses]]></category>
		<category><![CDATA[Portraiture]]></category>
		<category><![CDATA[Sinai]]></category>
		<category><![CDATA[tourism]]></category>

		<guid isPermaLink="false">http://www.bitemagazine.net/?p=12202</guid>
		<description><![CDATA[Photographer Ahmad Hosni: "Tourism can be traced back to Sinai’s biblical history and its fame as mythical place. Time after time the ‘wilderness of Sinai’ has been composed by the peregrinating subject: traveling monks, colonial explorers, development operators, photographers, anthropologists, tourists and, for that matter, Moses. South Sinai is palimpsest; a continuous process of sedimentation of textuality and practice excavated though a vision of the landscape."]]></description>
			<content:encoded><![CDATA[Photographer Ahmad Hosni: "Tourism can be traced back to Sinai’s biblical history and its fame as mythical place. Time after time the ‘wilderness of Sinai’ has been composed by the peregrinating subject: traveling monks, colonial explorers, development operators, photographers, anthropologists, tourists and, for that matter, Moses. South Sinai is palimpsest; a continuous process of sedimentation of textuality and practice excavated though a vision of the landscape."]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>There Is Something Strange And Ironic About The Whole Thing</title>
		<link>http://www.bitemagazine.net/2011/03/15/there-is-something-strange-and-ironic-about-the-whole-thing/</link>
		<comments>http://www.bitemagazine.net/2011/03/15/there-is-something-strange-and-ironic-about-the-whole-thing/#comments</comments>
		<pubDate>Tue, 15 Mar 2011 09:30:56 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Documentary Reportage]]></category>
		<category><![CDATA[black and white]]></category>
		<category><![CDATA[daily life]]></category>
		<category><![CDATA[documentary photography]]></category>
		<category><![CDATA[Europe]]></category>
		<category><![CDATA[human interest]]></category>
		<category><![CDATA[Portraiture]]></category>

		<guid isPermaLink="false">http://www.bitemagazine.net/?p=12190</guid>
		<description><![CDATA[Photographer Benjamin Goss on his work "Värmland": The images in this series are from an ongoing project documenting my environment in the countryside of Värmland Sweden. I grew up just outside of  New York City in NJ, so I found the contrasts of the U.S. and Sweden to be fascinating. It's like walking into a grocery store after, say being in India for a year. You recognize all the items and their uses but there is something still a little strange and ironic about the whole thing. Of course this feeling is fleeting, and now having been living here In Värmland for the past eight years, I have become a Swede. The only thing pretentious about these images is that they are all shot on film and printed and developed by myself.]]></description>
			<content:encoded><![CDATA[Photographer Benjamin Goss on his work "Värmland": The images in this series are from an ongoing project documenting my environment in the countryside of Värmland Sweden. I grew up just outside of  New York City in NJ, so I found the contrasts of the U.S. and Sweden to be fascinating. It's like walking into a grocery store after, say being in India for a year. You recognize all the items and their uses but there is something still a little strange and ironic about the whole thing. Of course this feeling is fleeting, and now having been living here In Värmland for the past eight years, I have become a Swede. The only thing pretentious about these images is that they are all shot on film and printed and developed by myself.]]></content:encoded>
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		</item>
		<item>
		<title>New York Times Lens Blog</title>
		<link>http://www.bitemagazine.net/2011/02/24/new-york-times-lens-blog/</link>
		<comments>http://www.bitemagazine.net/2011/02/24/new-york-times-lens-blog/#comments</comments>
		<pubDate>Thu, 24 Feb 2011 12:34:16 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Documentary Reportage]]></category>

		<guid isPermaLink="false">http://www.bitemagazine.net/?p=12137</guid>
		<description><![CDATA[New York Times' Lens Blog: After two weeks of semi-suspense, the Missouri School of Journalism has announced the winners of the Pictures of the Year International competition.]]></description>
			<content:encoded><![CDATA[New York Times' Lens Blog: After two weeks of semi-suspense, the Missouri School of Journalism has announced the winners of the Pictures of the Year International competition.]]></content:encoded>
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