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	<title>Bite! magazine &#187; Conceptual Photography</title>
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		<title>between photography and sculpture</title>
		<link>http://www.bitemagazine.net/2011/04/12/between-photography-and-sculpture/</link>
		<comments>http://www.bitemagazine.net/2011/04/12/between-photography-and-sculpture/#comments</comments>
		<pubDate>Tue, 12 Apr 2011 09:26:03 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Conceptual Photography]]></category>
		<category><![CDATA[conceptual photography]]></category>
		<category><![CDATA[landscapes]]></category>
		<category><![CDATA[still life photography]]></category>
		<category><![CDATA[USA]]></category>

		<guid isPermaLink="false">http://www.bitemagazine.net/?p=12254</guid>
		<description><![CDATA[Laura Plageman tears up and physically alters her images, then re-photographs them, to creates works of art that are between photography and sculpture, between landscape and still life. Check out her intriguing work on Bite! magazine.]]></description>
			<content:encoded><![CDATA[Laura Plageman tears up and physically alters her images, then re-photographs them, to creates works of art that are between photography and sculpture, between landscape and still life. Check out her intriguing work on Bite! magazine.]]></content:encoded>
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		<slash:comments>1</slash:comments>
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		<title>Please Do Not Forget This</title>
		<link>http://www.bitemagazine.net/2011/02/17/please-do-not-forget-this/</link>
		<comments>http://www.bitemagazine.net/2011/02/17/please-do-not-forget-this/#comments</comments>
		<pubDate>Thu, 17 Feb 2011 11:04:54 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Conceptual Photography]]></category>
		<category><![CDATA[Asia]]></category>
		<category><![CDATA[black and white]]></category>
		<category><![CDATA[conceptual photography]]></category>
		<category><![CDATA[Japan]]></category>
		<category><![CDATA[rape]]></category>
		<category><![CDATA[victims]]></category>

		<guid isPermaLink="false">http://www.bitemagazine.net/?p=12109</guid>
		<description><![CDATA[Saori Ninomiya: I have long wanted to join in the cause of raising awareness of the suffering of rape victims. This may be because I am one of the victims. But when I put aside my personal experience, the feeling that I needed to meet with other victims came from a place deep within me. I will not forget the refrain of the participating women: "It is unbelievable, I am smiling. I am still able to make such a face."]]></description>
			<content:encoded><![CDATA[Saori Ninomiya: I have long wanted to join in the cause of raising awareness of the suffering of rape victims. This may be because I am one of the victims. But when I put aside my personal experience, the feeling that I needed to meet with other victims came from a place deep within me. I will not forget the refrain of the participating women: "It is unbelievable, I am smiling. I am still able to make such a face."]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Shauna And I Are One And The Same</title>
		<link>http://www.bitemagazine.net/2011/02/13/shauna-and-i-are-one-and-the-same/</link>
		<comments>http://www.bitemagazine.net/2011/02/13/shauna-and-i-are-one-and-the-same/#comments</comments>
		<pubDate>Sun, 13 Feb 2011 10:11:39 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Conceptual Photography]]></category>
		<category><![CDATA[Portraiture]]></category>
		<category><![CDATA[Asia]]></category>
		<category><![CDATA[conceptual photography]]></category>
		<category><![CDATA[ladyboy]]></category>
		<category><![CDATA[transgender]]></category>

		<guid isPermaLink="false">http://www.bitemagazine.net/?p=12015</guid>
		<description><![CDATA[Sean Lee about his ladyboy alter ego: Initially I felt like I was playing God because I am the creator and Shauna is my creation and I can decide how I want the story to unfold, like a film director. But eventually my roles as Sean and Shauna started to collide and it's not so simple anymore. She affects me as much as I affect her. nd at this point Shauna and I are more or less one and the same. It's no longer a story of me pretending to be a ladyboy, or me as a woman, or a story about Shauna as my alter ego. It's just a story about me, and me is both Sean and Shauna.]]></description>
			<content:encoded><![CDATA[Sean Lee about his ladyboy alter ego: Initially I felt like I was playing God because I am the creator and Shauna is my creation and I can decide how I want the story to unfold, like a film director. But eventually my roles as Sean and Shauna started to collide and it's not so simple anymore. She affects me as much as I affect her. nd at this point Shauna and I are more or less one and the same. It's no longer a story of me pretending to be a ladyboy, or me as a woman, or a story about Shauna as my alter ego. It's just a story about me, and me is both Sean and Shauna.]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Garbage Inspires Me</title>
		<link>http://www.bitemagazine.net/2011/01/17/garbage-inspires-me/</link>
		<comments>http://www.bitemagazine.net/2011/01/17/garbage-inspires-me/#comments</comments>
		<pubDate>Mon, 17 Jan 2011 14:10:27 +0000</pubDate>
		<dc:creator>Harlan Levey</dc:creator>
				<category><![CDATA[Conceptual Photography]]></category>
		<category><![CDATA[Artistic installation]]></category>
		<category><![CDATA[conceptual photography]]></category>
		<category><![CDATA[polution]]></category>
		<category><![CDATA[waste]]></category>

		<guid isPermaLink="false">http://www.bitemagazine.net/?p=11843</guid>
		<description><![CDATA[Victor Skoglund: "To me, the dump is intriguing. It's one of the most interesting places I have been to. The garbage inspires me. Every human is involved in making waste. An endless stream of products is made from nature, used briefly and inevitably gets shredded, buried, burned, or made into new raw materials. I let them live a little bit longer by rearranging bits and pieces. It smells. It's noisy. It's dusty. It's in decay. It's alive. It's dangerous. It's fantastic!
]]></description>
			<content:encoded><![CDATA[Victor Skoglund: "To me, the dump is intriguing. It's one of the most interesting places I have been to. The garbage inspires me. Every human is involved in making waste. An endless stream of products is made from nature, used briefly and inevitably gets shredded, buried, burned, or made into new raw materials. I let them live a little bit longer by rearranging bits and pieces. It smells. It's noisy. It's dusty. It's in decay. It's alive. It's dangerous. It's fantastic!
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Boombox</title>
		<link>http://www.bitemagazine.net/2011/01/12/boombox/</link>
		<comments>http://www.bitemagazine.net/2011/01/12/boombox/#comments</comments>
		<pubDate>Wed, 12 Jan 2011 12:19:00 +0000</pubDate>
		<dc:creator>Harlan Levey</dc:creator>
				<category><![CDATA[Conceptual Photography]]></category>
		<category><![CDATA[boombox]]></category>
		<category><![CDATA[ghettoblasters]]></category>
		<category><![CDATA[stills]]></category>
		<category><![CDATA[USA]]></category>

		<guid isPermaLink="false">http://www.bitemagazine.net/?p=11809</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[]]></content:encoded>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The People I Show Are Almost Always Unknown</title>
		<link>http://www.bitemagazine.net/2010/12/24/the-people-i-show-are-almost-always-unknown/</link>
		<comments>http://www.bitemagazine.net/2010/12/24/the-people-i-show-are-almost-always-unknown/#comments</comments>
		<pubDate>Fri, 24 Dec 2010 12:13:20 +0000</pubDate>
		<dc:creator>Diederik Meijer</dc:creator>
				<category><![CDATA[Conceptual Photography]]></category>
		<category><![CDATA[conceptual photography]]></category>
		<category><![CDATA[dyptichs]]></category>
		<category><![CDATA[street photography]]></category>

		<guid isPermaLink="false">http://www.bitemagazine.net/?p=11723</guid>
		<description><![CDATA[In my works the people I show are almost always unknown. I am keen on the voyeuristic side of photography, thinking of the camera as an extension of human eye. Through the lens I can enter in other people's life.]]></description>
			<content:encoded><![CDATA[In my works the people I show are almost always unknown. I am keen on the voyeuristic side of photography, thinking of the camera as an extension of human eye. Through the lens I can enter in other people's life.]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>There Are No Indications Of Place, Time Or Identity</title>
		<link>http://www.bitemagazine.net/2010/12/10/there-are-no-indications-of-place-time-or-identity/</link>
		<comments>http://www.bitemagazine.net/2010/12/10/there-are-no-indications-of-place-time-or-identity/#comments</comments>
		<pubDate>Fri, 10 Dec 2010 13:29:55 +0000</pubDate>
		<dc:creator>Diederik Meijer</dc:creator>
				<category><![CDATA[Conceptual Photography]]></category>
		<category><![CDATA[black and white]]></category>
		<category><![CDATA[conceptual photography]]></category>
		<category><![CDATA[USA]]></category>

		<guid isPermaLink="false">http://www.bitemagazine.net/?p=11597</guid>
		<description><![CDATA[Aaron McElroy: "The photographic series "Traces" juxtaposes visions of unposed figures and environments. There are no indications of place, time or identity, the focus is on subtle traces left by life: the transparency of a curtain, laddered tights, fireflies hovering over a field. The photographs come into recognition; appealing, seductive half-dreams, yet they retain all the transitory vulnerability of humans dazed in their reality."]]></description>
			<content:encoded><![CDATA[Aaron McElroy: "The photographic series "Traces" juxtaposes visions of unposed figures and environments. There are no indications of place, time or identity, the focus is on subtle traces left by life: the transparency of a curtain, laddered tights, fireflies hovering over a field. The photographs come into recognition; appealing, seductive half-dreams, yet they retain all the transitory vulnerability of humans dazed in their reality."]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>In Slightly Raptured, Meditatively Calm Worlds</title>
		<link>http://www.bitemagazine.net/2010/11/24/in-slightly-raptured-meditatively-calm-worlds/</link>
		<comments>http://www.bitemagazine.net/2010/11/24/in-slightly-raptured-meditatively-calm-worlds/#comments</comments>
		<pubDate>Wed, 24 Nov 2010 13:48:01 +0000</pubDate>
		<dc:creator>Diederik Meijer</dc:creator>
				<category><![CDATA[Conceptual Photography]]></category>
		<category><![CDATA[Central Europe]]></category>
		<category><![CDATA[conceptual photography]]></category>
		<category><![CDATA[nature]]></category>
		<category><![CDATA[Portraiture]]></category>
		<category><![CDATA[self portraits]]></category>
		<category><![CDATA[Slovenia]]></category>

		<guid isPermaLink="false">http://www.bitemagazine.net/?p=11473</guid>
		<description><![CDATA[In her photographic series Nataša Košmerl merged images of a person and images of nature in a rhythmical sequence of mutual overlapping or exchange. She herself appears as a silent observer and active participant in these events. The contents of photos are clearly discernible, associated with nature and personal experience of life, however in its deep, symbolically arranged record it means a sort of a string of motifs subject to mental imagery. Levels of visual and emotional memory appear on these photos in slightly raptured, meditatively calm worlds.]]></description>
			<content:encoded><![CDATA[In her photographic series Nataša Košmerl merged images of a person and images of nature in a rhythmical sequence of mutual overlapping or exchange. She herself appears as a silent observer and active participant in these events. The contents of photos are clearly discernible, associated with nature and personal experience of life, however in its deep, symbolically arranged record it means a sort of a string of motifs subject to mental imagery. Levels of visual and emotional memory appear on these photos in slightly raptured, meditatively calm worlds.]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Creative People From The EU’s Smallest New Member State</title>
		<link>http://www.bitemagazine.net/2010/11/17/creative-people-from-the-eu%e2%80%99s-smallest-new-member-state/</link>
		<comments>http://www.bitemagazine.net/2010/11/17/creative-people-from-the-eu%e2%80%99s-smallest-new-member-state/#comments</comments>
		<pubDate>Wed, 17 Nov 2010 10:03:54 +0000</pubDate>
		<dc:creator>Diederik Meijer</dc:creator>
				<category><![CDATA[Conceptual Photography]]></category>
		<category><![CDATA[Portraiture]]></category>
		<category><![CDATA[conceptual photography]]></category>
		<category><![CDATA[creatives]]></category>
		<category><![CDATA[Slovenia]]></category>

		<guid isPermaLink="false">http://www.bitemagazine.net/?p=11421</guid>
		<description><![CDATA[The Slovenian photographer Borut Peterlin was commissioned by Mladina Magazine to do a series of portraits of prominent compatriots for its weekly section “Striptiz” (Striptease). In his portraits Peterlin completely “strips” his sitters of their public relations image, emphasising a conceptual aspect that allows the image to stand out and the sitters to reinvent themselves.]]></description>
			<content:encoded><![CDATA[The Slovenian photographer Borut Peterlin was commissioned by Mladina Magazine to do a series of portraits of prominent compatriots for its weekly section “Striptiz” (Striptease). In his portraits Peterlin completely “strips” his sitters of their public relations image, emphasising a conceptual aspect that allows the image to stand out and the sitters to reinvent themselves.]]></content:encoded>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Holders of Secrets</title>
		<link>http://www.bitemagazine.net/2010/10/25/holders-of-secrets/</link>
		<comments>http://www.bitemagazine.net/2010/10/25/holders-of-secrets/#comments</comments>
		<pubDate>Mon, 25 Oct 2010 11:00:29 +0000</pubDate>
		<dc:creator>Diederik Meijer</dc:creator>
				<category><![CDATA[Conceptual Photography]]></category>
		<category><![CDATA[Europe]]></category>
		<category><![CDATA[France]]></category>
		<category><![CDATA[Germany]]></category>
		<category><![CDATA[landscapes]]></category>
		<category><![CDATA[memories]]></category>
		<category><![CDATA[World War II]]></category>

		<guid isPermaLink="false">http://www.bitemagazine.net/?p=11103</guid>
		<description><![CDATA[French photographer Charlie Jouvet: I want to reveal this past that rises to the surface and permeates our present, making it what it is. This past that Primo Levi described when he spoke of the end of the camps: "The ghost army still lingering there was composed of Geheimnisträger, holders of secrets..." I want to find these images, holders of secrets.]]></description>
			<content:encoded><![CDATA[French photographer Charlie Jouvet: I want to reveal this past that rises to the surface and permeates our present, making it what it is. This past that Primo Levi described when he spoke of the end of the camps: "The ghost army still lingering there was composed of Geheimnisträger, holders of secrets..." I want to find these images, holders of secrets.]]></content:encoded>
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		<slash:comments>0</slash:comments>
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