Categories / Documentary Reportage / / Click here to open comments section, click again when done to close / Comments Off
Introduction by Sophia Greiff
From June 16th to June 20th 2010 the second Lumix Festival for Young Photojournalism took place in the city of Hannover. Along with lectures of renowned photographers, panel discussions and portfolio reviews, more than 1400 images were presented in sixty exhibitions. The majority of the displayed work impressed with its high photographic and narrative quality – and opened the eyes for individual tragedies and stories that would have been left unseen without the curiosity and sensitivity of these emerging photojournalists. The Italian photographer Davide Monteleone won this years’ FreeLens-Award for his work Northern Caucasus. In a region that has been stirred up by political, religious and military conflicts for centuries, Monteleone captured scenes of an everyday life that is still far away from normality. With an eye for telling details he transmits a sense of agitation and uncertainty lurking underneath the even surface. His images of the Russian Caucasus are poetic and captivating, yet informative and insightful. As noted by jury president Thomas Hoepker, Monteleones’ photographs give feelings a face and show what is in fact invisible.
Next / These Images Represent Orania As It Is Today / Previous / A Family Life Between Hospitalizations And Chemotherapy /
Our poll "A photo essay always needs a great written story" closed. 267 people voted, 28% agrees, 72% disagrees. 233 people answered our follow-up question "Are you a photographer?" 82% indicated they are, 18% said no. Initially, negative answers to question #1 were almost 100% as was the pecentage of photographers among respondants. Then, when the level of non-photographers started to rise, the percentage of people indicating good text is always essential started to rise too. This seems to indicate that non-photographers think that adding good text to your photo essays is essential. In my opinion: if you want non-photographers to dig your work, you know what to do...
At first there was the Russian Empire, Saint Petersburg’s splendour, nobles’ dynasties set against commons far and distant, scattered on an unlimited country. Later on came communism’s turn, with its pyramidal hierarchy, its ideology imposed without any discussion for a “superior common good” that revealed itself utopian and elusive. Walls and curtains finally fell down, but renewal’s winds were broken off by the chill of something more indefinite and creeping. Something nobody talks about, but nobody can dispute. A dictatorship replaced by another, worst.
Therefore time passed over counts and masters, hierarchs and politicians, arms of the law and armed arms. And all the past reflects itself in people’s eyes. A population that becomes silent and fierce, strong and proud, persons for whom an endearment never last long, family’s ceremonial is reduced to the least, men and women live suspended in a time space different from that one of the rest of the world. Places where blood has flown too much, where too often it is forbidden to mourn one’s own dead, where screams become mute, and hiding turned into habit. Caucasus’ regions.
This project takes into account the countries in which disputes and struggles are not over yet or only apparently seem concluded, as intermittent fires under the political rhetoric of “normalization” and “pacification”. I began to investigate the daily life of people living in the Russian Caucasus, who are still divided between the claim for independence and the pride for their diversity, economic subordination, the historical-political and mental affiliation, condemned to an eternal geographic position in an oblivion, the elaboration of a new post-soviet identity.
I’ve been working from Chechnya to Dagestan, from Northern to Southern Ossetia (just after the 2008’s war), all the way to Abkhazia, crossing geographical and political borders. My interest is to carry on a considered path, making notes on the tracks left by the mother land. My aim is to complete, republic after republic, the region’s exploration, unifying it through an imaginary yarn that is partly already appeared.
Davide Monteleone (1974) lives and works in Rome and Moscow.
Click weblink davidemonteleone.com or browse our archives
Posted in category 646









(23 votes, average: 4.52 out of 5)