Bite! magazine » Each Work Is A Visual Performance, A Visual Fable

Songs For Sorrow by Benjamin Ong  (May 16, 2010)

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Categories / Conceptual Photography /Tags / / / / / Click here to open comments section, click again when done to close / 2 Comments
2 Responses to “Each Work Is A Visual Performance, A Visual Fable”
  1. [...] This post was mentioned on Twitter by margootje, alex. alex said: RT @Bite_magazine Sunday Morning Reveries – Benjamin Ong on Bite! http://bit.ly/cLXPfY [...]

  2. it has a gloomy mood,
    still it’ are beautiful photo’ s.

Introduction by Recommending Viewer

Benjamin Ong was recommended to us by Zorica Purlija. Zorica writes: Ben’s haunting, and very beautiful work resonates a chord within me with the work I like to produce. The beauty, sadness and ecstasy is a universal truth which I also like to explore. Ben’s work stands out to me as an original statement with his own unique style, a true artist.


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Poll results
Our poll "A photo essay always needs a great written story" closed. 267 people voted, 28% agrees, 72% disagrees. 233 people answered our follow-up question "Are you a photographer?" 82% indicated they are, 18% said no. Initially, negative answers to question #1 were almost 100% as was the pecentage of photographers among respondants. Then, when the level of non-photographers started to rise, the percentage of people indicating good text is always essential started to rise too. This seems to indicate that non-photographers think that adding good text to your photo essays is essential. In my opinion: if you want non-photographers to dig your work, you know what to do...

Artist Testimonial

Indeed the idols I have loved so long, have done my credit in this world much wrong, have drowned my glory in a shallow cup, and sold my reputation for a Song.

Songs for Sorrow is inspired by the works of Omay Khayyam, an 11th Century poet, astronomer and philosopher.

Abandoning any notion of the photograph as a document of the real, each work is a visual performance; a visual fable that finds it’s truth in imaginative resonance rather than hard evidence.

Recurrent in my work is the sandwiching of negatives and the use of inscription and scratching within the image itself.

The textural effect created represents the dreamy nature of the subconscious.

Whilst these images appear to explore darker themes, they aim to become a mixture of the extraordinarily beautiful and the frightening.


Benjamin Ong is represented by Tim Olsen Gallery.


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