Curator Statement by Michael Itkoff
In ‘Down These Mean Streets’ Will Steacy is a nocturnal flaneur that wanders around run-down areas with a wrench in his back pocket. Barney Kulok and Paul Graham come to mind when looking through these images of abandoned buildings, burned-out cars, neon signs and various individuals. The city glows, strangely beautiful but vaguely threatening - as a picture of urbanity and its attendant vices it is not a forgiving portrait. Views for this post have not been counted.
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Down These Mean Streets examines fear and the abandonment of America's inner cities. Photographing only at night with a large format view camera, I work in a set routine by walking between the airport and central business district of each city I photograph. My focus is the neighborhoods you wouldnt want to be in at night; the part of town you drive through - not to.
America has turned its back on cities as years of neglect have left crumbling neighborhoods with no local economy, a public education system that barely meets requirements, a low income housing nightmare, few options for health care resources as violence and drugs reign making survival a number one priority.
We have become so preoccupied with homeland security and protecting our country from foreign forces that we have lost sight of what it is we are for fighting for.
By addressing the loss and despair that prevail in our urban communities my aim is to reveal a modern day portrait of the American inner city as problems and issues cannot be solved if they are not first identified. We must look inward at ourselves.
Will Steacy (1980) lives and works in New York City, USA. Click weblink willsteacy.com or browse our archives
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Goes straight to the underbelly of society and of the visitor…
Good work!
[...] itself in public, Signac's Sunday' is a more intimate and ultimately more troubling portrait of …Bite! magazine Fear And The Abandonment Of America's Inner …Goes straight to the underbelly of society and of the visitor… Good work! Leave a Comment. Name [...]