Bite! magazine » Life At The Waypoints Of America’s Truckers

Hurry Up And Wait by James Frank Tribble and Tracey Mancenido-Tribble  (February 21, 2010)

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Categories / Documentary Conceptual / Portraiture /Tags / / / / / / Click here to open comments section, click again when done to close / 1 Comment
One Response to “Life At The Waypoints Of America’s Truckers”
  1. I love the humanity and lyricism in this work. There’s an unexpected poetry to the way they present this subject.

Curator Statement by Michael Itkoff
Tribble and Mancenido’s ongoing project shows the American landscape from the unique perspective of its trucking culture. What we are presented with is not so much a picture of America but a semblance of the subculture itself- the truckers, truck stops, gas stations and other liminal areas that these professional transients traffic. In a country of ubiquity it has been strikingly difficult to connect a face to the labor of production and distribution. This young couple has endeavored to show us this from the inside while they drive a tractor-trailer for a year, highlighting the quotidian minutiae of life at the waypoints of America’s truckers.
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Poll results
Our poll "A photo essay always needs a great written story" closed. 267 people voted, 28% agrees, 72% disagrees. 233 people answered our follow-up question "Are you a photographer?" 82% indicated they are, 18% said no. Initially, negative answers to question #1 were almost 100% as was the pecentage of photographers among respondants. Then, when the level of non-photographers started to rise, the percentage of people indicating good text is always essential started to rise too. This seems to indicate that non-photographers think that adding good text to your photo essays is essential. In my opinion: if you want non-photographers to dig your work, you know what to do...

Artist Testimonial

Hurry Up & Wait is an ongoing collection of images exploring the obscure and anonymous life of America’s trucking culture. Driving for a year in our own tractor-trailer, we focus on the banal repetition and periods of isolation from constant movement on the road.

These images are a byproduct of the world we entered and a glimpse of the places eighteen-wheelers are allowed. We are constantly faced with the same landscape regardless of location, from moments of obliged waiting in truck stops to backing into the docks of a warehouse. This is where we photograph.

We showcase the openness of the road and the lonesome journey of the driver, hoping our images bring new light to the harsh beauty in the world of a truck driver.


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