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Curator Statement by The Black Snapper
Sitting at my desk in Amsterdam, it is hard for me to visualize life in Belarus and it is easy to get tangled up in opinions and expectations that are based on other people's statements on the situation. Giorgos Doganis visited the country. His impressions are mild, showing us street scenes and cityscapes populated by ordinary people, going about their ordinary business. And Belarus almost seems submerged in a dreamlike nostalgia that is bewildering and comforting at the same time. I think the photo essay is beautiful, the work of a gifted artist. More Giorgos Doganis: weblink
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Our poll "A photo essay always needs a great written story" closed. 267 people voted, 28% agrees, 72% disagrees. 233 people answered our follow-up question "Are you a photographer?" 82% indicated they are, 18% said no. Initially, negative answers to question #1 were almost 100% as was the pecentage of photographers among respondants. Then, when the level of non-photographers started to rise, the percentage of people indicating good text is always essential started to rise too. This seems to indicate that non-photographers think that adding good text to your photo essays is essential. In my opinion: if you want non-photographers to dig your work, you know what to do...
In August 2009 I travelled with Mikhail, my Belarusan companion, throughout the country as a participant to Plotki magazine’s Belarus Inside Out project. Ten days of restless movement in and between four major cities, Grodna, Bobruisk, Mogilev and Minsk, seeking to satisfy my urge to document life as-it-is in this isolated, flat-terrained but otherwise stranger-friendly place.
Belarus was total alien territory to me before, rumored to be a cold, hostile place, the “last dictatorship in Europe” to quote Condoleeza Rice. My preparations included learning how to say “excuse me” and “thank you” in Russian, ways to face cold-blooded KGB officers interrogating me about the reasons of my visit and memorizing the phone number of the Greek department of foreign affairs (in absence of a Greek embassy within the country). To my surprise, all these proved to be completely useless. Well, all except for “извините” and “Спасибо”! It’s not that the country is not run by an ego-maniac, not-so-democratically-elected and unpopular president, but this apparently didn’t have much effect on my going around freely with my camera in hand. My sole interaction with the state was at the airport visa control and when I shot a couple of frames on some police officers (!) in the Minsk metro, only for me to receive a polite “it is forbidden to photograph here, sir” in Russian. I was warmly welcomed by virtually every person I met and felt almost at home with all the -overwhelming at times- hospitality.
Dignity is a virtue Belarusans certainly have on an individual level, which makes a strong contrast with their collective passivity towards politics and the public sphere in its whole. The outlook for “socialism” some would argue, “state capitalism” I hear someone yelling at the back. In any case, by general confession most Belarusans are satisfied living in countless clusters of apartment blocks, so-called “sleeping areas” with very little or absent infrastructure save for five-lane streets on the empty lanes of which only a few cars and private minibuses serving as public transports move spaciously. The scale is definitely inhumane and individuality is suppressed to the benefit of socialistic urban planning.
Giorgos Doganis (1983) lives and works in Athens, Greece.
Click weblink giorgosdoganis.com or browse our archives
Posted in category 652









(17 votes, average: 4.24 out of 5)
Just had a look to other pictures of Belarus and the difference is quite amazing. The different point of views of the photographers are quite striking.
Mitchell Kanashkevich is the other photographer: http://mitchellktravelphoto.wordpress.com/