Images And Memories Connected by Qiu (January 18, 2010) 
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Still Life - Chinese Contemporary Photography
Presenting Adou, Ling Hua, Mo Yi, Qiu, RongRong & inri, Xiong Wenyun and Zhao Liang.
Photography is an art that fixes the constant changes of the world into an image. It reveals both the still appearance of subjects as well as their inherent fluctuations. Since its introduction in China more than a hundred years ago, the medium has gone through many phases. In the mid-nineties, people started to notice the emergence of Chinese contemporary photography and its development over the following ten years went hand in hand with a period of immense historical change in China. However, its significance does not lie solely in its reflection of society. Each artist developed very distinct styles – aside from the art world's own rules, factors like their environment and interpretation of reality also played a role in the creation of their works. The transformations in China during this period were gradual, yet the accumulated effect of these changes eventually produced an upheaval as great as a sudden revolution.
It is with this in mind that we did our selection. The works of these artists do not explicitly reveal “The Novelties of China” or “China's Great Changes.” Instead, they demonstrate each artist's independent understanding of life and art and capture their ideals about humanity through the interplay of art and reality, thus embodying the culture of this generation. In the course of observing and questioning themselves, these artists have touched the very core of reality. They use the artistic method of their choice to meld art and experience, and amidst this sea of changes, continue existing, experiencing, and creating.
They were born and raised during an era of huge transformations. One can see their work as very regionalized and full of symbols, a view often applied to Chinese contemporary art at large. However, if one delves deeper into their creative circumstances or the connotations of their work, one discovers multiple layers of possible understandings and points of entry. These artists express their views on life from many different perspectives, putting their heart into their work. In this rapidly changing, complicated era, they attempt to broach the question of life, a question that each of us may face. Through their images, emotions, and wisdom, these artists allow us to go beyond our own limited perspectives on the world.
Three Shadows Photography Art Centre, Beijing, China, 2009
Next / The Beauty Of Ruins, Nature And Man / Previous / She Blurs The Real World With Her Imagined World /
Our poll "A photo essay always needs a great written story" closed. 267 people voted, 28% agrees, 72% disagrees. 233 people answered our follow-up question "Are you a photographer?" 82% indicated they are, 18% said no. Initially, negative answers to question #1 were almost 100% as was the pecentage of photographers among respondants. Then, when the level of non-photographers started to rise, the percentage of people indicating good text is always essential started to rise too. This seems to indicate that non-photographers think that adding good text to your photo essays is essential. In my opinion: if you want non-photographers to dig your work, you know what to do...
"In our impressions, images and memories are connected. It seems that images that are too perfect are quickly extinguished in people’s minds." – Qiu
Qiu’s images waver between dreams and reality. Each scene is part of a greater narrative in which the emotions are barely hidden under the smooth surface of the image.
In the visual language of his photography, Qiu seeks to come to an understanding with the inevitability of life and death, capturing personal visions of the world that would otherwise be extinguished.
Qiu was born in Pingyuan, Guangdong Province and graduated from the Fine Arts Department of Guangdong Institute of Education.
This presentation has been selected and curated by Three Shadows Photography Art Centre.
Qiu (1974) lives and works in Guangzhou, China.
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[...] the first series: Images And Memories Connected Qiu (China, 1974) Guangzhou, China “In our impressions, images and memories are connected. It seems that images [...]